This method works seems simple, but at the same complex. Creating a composition, the artist freely pours and pours paint onto the canvas. These works are very expressive and very lively. The main problems addressed by these artists - the ratio of colors. The principles of art in the United States to further develop postzhivopisnye abstract lines (hard-edge, color-field).
In Europe, similar French tachisme or art informel. This branch has been developing along the U.S., affecting a wide variety of artistic quest: the international Danish-Belgian-Dutch group SoVga painting, humanistic sculptures Dzhakometa Alberta. "The painting of" As part of the American abstract art was developed by the so-called "formless painting," Jackson Pollock, who considered the creative process self-valuable, and the result is not important who had meaning only as a reminder of the creative process, remaining on the canvas. Returning to the primitive syncretism, Pollock painting transformed into a sacred dance artist. Polok canvas hanging on the wall or put it on the floor, "making" around a shamanic ritual, the artist, in his words, "entered into the painting." He developed a technique called poluchivshiyu dripping, which consisted of spraying paint from a can (the French parallel - "tachisme" - painting spots.) Artistic method Poloka received in England called "action painting". In 1952 he exhibited in Paris, his art has made a big impression on eager to another new word to the critics. Many, however, challenged the original equipment shelves, seeing something similar in the images Hartung, 1922. Another famous European representative of the "action painting" was Georges Mathieu, advancing techniques of ecstasy for the play.
He organized his painting sessions in the presence of the public, in front of a canvas streak flourishes, commas and periods. During his show, accompanied by music, he was dressed in medieval costume. Mathieu acknowledged founder of the "historical abstract painting" (another gem of his Majesty's ordinary interpretation.
In Europe, similar French tachisme or art informel. This branch has been developing along the U.S., affecting a wide variety of artistic quest: the international Danish-Belgian-Dutch group SoVga painting, humanistic sculptures Dzhakometa Alberta. "The painting of" As part of the American abstract art was developed by the so-called "formless painting," Jackson Pollock, who considered the creative process self-valuable, and the result is not important who had meaning only as a reminder of the creative process, remaining on the canvas. Returning to the primitive syncretism, Pollock painting transformed into a sacred dance artist. Polok canvas hanging on the wall or put it on the floor, "making" around a shamanic ritual, the artist, in his words, "entered into the painting." He developed a technique called poluchivshiyu dripping, which consisted of spraying paint from a can (the French parallel - "tachisme" - painting spots.) Artistic method Poloka received in England called "action painting". In 1952 he exhibited in Paris, his art has made a big impression on eager to another new word to the critics. Many, however, challenged the original equipment shelves, seeing something similar in the images Hartung, 1922. Another famous European representative of the "action painting" was Georges Mathieu, advancing techniques of ecstasy for the play.
He organized his painting sessions in the presence of the public, in front of a canvas streak flourishes, commas and periods. During his show, accompanied by music, he was dressed in medieval costume. Mathieu acknowledged founder of the "historical abstract painting" (another gem of his Majesty's ordinary interpretation.
